鳩山ニュータウンでは指定管理者として公共施設を、大宮東口では一般社団法人UDCOのディレクターとして公共空間を運営するなど、建築や都市空間を設計するだけでなく、その運営にも継続的に関わっている藤村龍至。上野中央通りや神戸ポートアイランドでは、交通社会実験などを通じて、広範囲にわたる住民・企業・行政を巻き込みながら地域の将来像を提示し、段階的に実装する取り組みを進めています。 一方、静岡県浜松市を拠点とし、建築コレクティブ403architecture [dajiba]のメンバーでもある辻琢磨は、〈更新設計〉という顧問契約を導入し、個人住宅から浜松科学館といった公共施設まで、長期的な関係性の中で空間を少しずつ更新する建築実践に取り組んでいる。また、国際芸術祭「あいち2025」のキュレーター（ラーニング）も務め、市民や参加者が主体的に関わりながら学びや活動を育てていく場づくりの企画・運営にも携わってきた。セッション６では、一度に完成形を目指すのではなく、変化に応答しながら段階的な実装や更新を重ねていく両者の実践を手がかりに、ハード面が整いつつある前橋の次の10年に向けて、この土地ならではの風景や関係性を、いかに育んでいけるのかを探る。

Ryuji Fujimura is not only involved in the design of architecture and urban spaces, but is also continuously engaged in their management, for example, as the designated administrator of public facilities in Hatoyama New Town or as a director of the General Incorporated Association UDCO, overseeing public spaces at the east exit of JR Omiya Station. In areas such as Ueno Chuo-dori and Kobe Port Island, he is undertaking initiatives that present a vision for the region’s future, to be implemented in phases involving a wide range of residents, businesses, and government agencies through projects such as transport-related social experiments.
Meanwhile, Takuma Tsuji, based in Hamamatsu, Shizuoka Prefecture, and a member of the architectural collective 403architecture [dajiba], has introduced a consulting contract model called “Renewal Design.” Through this approach, he engages in architectural practices that involve gradually renewing spaces over the context of long-term relationships with clients ranging from private residences to public facilities such as the Hamamatsu Science Museum. He has also served as a Learning Curator for Aichi Triennale 2025, where he has been involved in planning and managing spaces that foster learning and activities with the active participation of citizens and attendees.
Session 6 examines the work of two architects who do not aim for a single, finished form but instead respond to change through phased implementations and continuous updates. It does so in order to find hints on how Maebashi, a city whose physical infrastructure is steadily developing, might cultivate landscapes and relationships unique to the city over the coming decade.